
The Cage
Neon crowns suspended within a steel cage. The wiring and structure remain visible. The close view and installed view change how the work reads.
Discuss an installationnot.travis / Sculpture / Dallas
The studio works with light, wire, steel, painted surfaces and found form. Sometimes the object is the work. Sometimes the room around it is part of the work.

Material and place
The same mark can live on a painted surface, move into neon, then hang in an installation. Sculpture in the not.travis practice includes objects that can be walked around and forms that alter the way people move through a room.
It grows from the same studio language as the paintings and murals. The materials and the site decide its scale.
Selected work

Neon crowns suspended within a steel cage. The wiring and structure remain visible. The close view and installed view change how the work reads.
Discuss an installation
Painted birds surround a full-size cage. Linked hearts in neon sit within it. The installation makes the room part of the composition.
View The CrescentA mark across materials
Two different-sized hearts connected by a line. The mark holds the idea that people are different, connected, and in it together. It moves between painting, neon, sculpture and the spaces they occupy.
See not.biggie in neon and paint
Sculpture / Questions
The studio makes neon and mixed-media objects, cages and installations shaped by their sites. The work can include light, wire, steel, paint and found material. The Cage and The Crescent show two different scales.
Yes. The work begins with the site, its dimensions and the way people move through it. Material and scope follow that conversation. See how commissions work.
Send the title or a link to the work. Availability and pricing are confirmed by the studio. See collecting inquiries.
From Dallas
Sculpture and installation commissions are considered in Texas and beyond when the site and idea fit the work.
Discuss an object or roomAsk about existing work